The Souls of Millions of Light Years Away is a work that exists in room where the inner surface of the walls are mirrors. This creates an effect that essentially extends the space of the room to infinity because of the light that keeps getting reflected back and forth. LEDs hang from the rooms ceiling which are also reflected into the infinite space, encompassing the viewer in what visually resembles a galaxy.
Kusama Yayoi was born in 1929 and has been living in a hospital for the mentally ill since the 1970s. She has once said, “Before I go to sleep I’m so exhausted I could die. But then around three in the morning I wake up and start drawing or writing again”, which describes her current stage in life that teeters between life and death (Knight). The Souls of Millions of Light Years Away is an example of Yayoi’s embracing and exploration of the afterlife and spirituality.
Being placed on a floating platform which is also reflected into infinity, creates a grid of participants that extend forever. Even though the piece can only be viewed individually, there will always be a crowd ready to stare back into your eyes. Also, the way the lights flicker on and off in a space so inconceivably great is a humbling experience.
Death is an inevitable outcome. It can be a frightening experience to think about because it is so unknown to us, but we have many different ways to cope with death, and what happens afterwards. The position in her life that Yayoi represents through her work is a unique outlook on what one can expect when one closes their eyes without expecting them to open again.
Knight, Sophie. “Yayoi Kusama to Exhibit in London: At 85, ‘the Ideas Just Keep Coming'” The Telegraph. Telegraph Media Group, 31 Aug. 2014. Web. 09 Apr. 2015.
Painter, sculptor, filmmaker, and performer Yayoi Kusama (Japanese, b.1929) is a famously provocative avant-garde artist, best known for her works featuring repeating motifs and psychedelic imagery that evoke themes of psychology, feminism, obsession, sex, creation, destruction, and intense self-reflection. Kusama was born in Matsumoto City and began painting at the age of 10, as a means of escaping a childhood of neglect and expressing her early experiences with hallucinogenic visions. These apparitions consisted of dots and patterns enveloping her surroundings, suggesting issues of mental illness which have continued to strongly influence her work. Inspired by a letter she received from Georgia O’Keefe, Kusama moved to New York City in 1957 to pursue a career as an artist. Over the next decade she garnered a reputation as a controversial member of the New York avant-garde, first obsessively working on her series of Infinity Nets, paintings and sculptures featuring meticulous, seemingly endless repetitive motifs.
Over the next few years she also staged elaborate happenings throughout New York City, at one point breaking into the garden of the Museum of Modern Art to perform a happening with several naked assistants. She exhibited her work with Andy Warhol, Claes Oldenburg, and other prominent avant-garde artists throughout the 1960s, before returning to Japan in the early 1970s and living in a mental hospital, where she wrote surreal short stories and poems.
She later returned to her previous themes in painting and installation art, creating rooms full of mirrors reflecting her iconic polka dots and Infinity Nets in further meditations on repetition and obsession. After representing Japan at the Venice Biennale in 1993, Kusama’s work received newly heightened recognition from the international art world. She has been honored with the Ordre des Arts et Lettres from the French Ministry of Culture, as well as the Praemium Imperiale prize from the Japanese Art Association. In recent years she has created large public sculptures on commission, and has made several films and documentaries, the most recent released in 2008. The same year, Kusama became the best-selling living female artist, with works breaking record prices at auction. She currently lives and works in Tokyo.
Hee Jung Yi